Céline Dion is Québécois royalty and this we avow*. If I’m being completely honest, for most of my life, I never gave much intentional thought to Ms. Dion. Growing up in the nineties and early ’00s, she was a ubiquitous, essential presence. I absolutely dare you to go grocery shopping without hearing at least one of her enduring bangers on the radio. The soft rock/pop vocalist genre never really did it for me, but it is impossible to deny both Dion’s talent and her contributions to pop culture.
*I deeply apologize for this ill-placed Evita reference.
The music of Céline Dion harkens back to a simpler time in popular culture, when talented composers created sleek, radio-friendly hits for talented songstresses and their angelic voices. Now, I’m all for the singer/songwriter as a cultural character and a genre, but in many ways the push for authenticity of subject may have actually done damage to pop music in general. I want Ryan Adams to write all of his own songs, but I don’t feel personally connected to Kelly Clarkson’s input in the songwriting process, y’know? Songcraft is important.
Dion, whose 49th birthday is next week, is experiencing something of a career Renaissance right now (or maybe I’m just projecting?). She’s been performing on tons of awards shows, she recently recorded a version of Queen’s “The Show Must Go On” that did quite well, and she recorded a ballad “How Does A Moment Last Forever” for the new Beauty and the Beast live-action film, starring Emma Watson and literally every other actor. The new song was a sweet throwback to when she recorded the theme song to the 1991 animated Beauty and the Beast with the criminally underrated Peabo Bryson.
Last January, Dion lost her husband René Angélil, whom she had known since she was 12 years old. In honor of this beautiful queen rising from the ashes of tragedy, I’ve put together a short retrospective of her classic English-language hits.
Vive la Reine, and may she never relinquish her French-Candian accent.
That’s right, guys. The “I’m your lady / and you are my man” song. You are lying if you don’t know at least one couple that used this as their wedding song. This song is a classic—it’s sappy, romantic, and that high note at the end? Girl’s got the pipes. If you, unlike me, are ashamed of your love of power ballads, watch this video for no other reason than the haircut. #thefuckingnineties
How to listen: Drunkenly, at the end of a girls’ night out. Alternately, karaoke at a Bachelorette party.
From the first aggressive piano chord, “It’s All Coming Back to Me Now” is a fantastic, nuanced jam that manages at once to be angry ex-girlfriend diss track and a lament of lost love. It’s equal parts “I Will Survive” and “You’re Still the One”. Céline adopts a sexy rasp during the pre-choruses that breathes life into me. Baby, baby, BABY, this is, possibly, a perfect song.
How to listen: Home alone, belting along with hairbrush microphone in hand.
“Because You Loved Me”
I can’t find a decent version of this video, which is a shame. This song is excellent, so excellent in fact that it was the theme song to a Robert Redford movie. This is one of those Céline songs that has burrowed itself so far into your brain that when you hear it, you will unwittingly sing along to every word. The lyrics are essentially a laundry-list of reasons to love your bae, and frankly, it was a missed opportunity that I didn’t use them wedding vows.
“Because You Loved Me” won a Grammy and was nominated for the damn Oscar. I would be mad that it lost the Oscar, but it lost to “You Must Love Me” from Evita, and Andrew Lloyd Webber can do no wrong. In any case, the following year, Céline was vindicated, because “My Heart Will Go On” won for Titanic!
How to listen: While makin’ babies.
Céline’s cover of the 1975 Eric Carmen song is arguably as popular as the original—not an easy feat! This is an anthemic jam and you all know it. The lyrics are beautifully minimalistic, which imbues them with even more meaning—she’s by herself and she DON’T WANNA BE all by herself, damnit! “All By Myself” is probably the #1 sad jam ever written, and putting a varnish of Céline talent on it makes it all the more iconic.
How to listen: Driving home from work in the rain after a really hard day. Crying optional. I’d say post-breakup, but you’re no cliché.
This is the most late-nineties song ever recorded. Every pop artist had a song that sounds eerily like this one in the late nineties (see “Quit Playing Games (With My Heart)“, “As Long As You Love Me“, and “Shape of My Heart” by the Backstreet Boys, “Sometimes” and “Born to Make You Happy” by Britney Spears, and probably an entire LeAnn Rimes or Faith Hill album, if I’m being honest. Is it the chord progression?) Céline’s, of course, is the epitomization of the trope. “That’s The Way It Is” is a pep talk in song form. Only Céline could get away with the lines, “Don’t surrender / ’cause you can win / in this thing called love,” and make the word “love” span 3-5 syllables.
How to listen: In the car with your single friends, to subliminally plant inspiration and positivity into their brains! Because you’re not a busybody or anything!
This song is about the birth of her son. Could anything possibly be sweeter? Lines like “I was waiting so long / for a miracle to come” and “I can’t believe / I’ve been touched by an angel with love” are so uplifting and precious! What kind of sociopath doesn’t want to listen to a new mother’s impassioned love song/lullaby to her baby?
How to listen: At a gender reveal party, to liven up the mood when everyone finds out it’s a boy.
P.S. Céline in the video is #hairgoals af.
It is beyond fitting that the theme song for the movie about the French Disney princess would be sung by the only French (Canadian) singer most Americans can name. And Peabo Bryson! How good is that guy? You may recognize his voice from every Disney theme song of the late eighties/early nineties.
It is also incredibly fitting that the updated 2017 version of this song is performed by Ariana Grande and John Legend—two powerhouse vocalists who can actually hold a candle to the original performances. Ariana Grande’s impression of Céline is a divine inspiration. Go forth and reward your ears with this sultry ballad.
How to listen: On repeat for the past 26 years.
This Oscar-winning song is an enduring classic. I will never yield in my belief that this song is at the pinnacle of songwriting achievement. I don’t care that it’s cheesy. I don’t care that it conjures up images of baby-faced Leonardo DiCaprio. If you don’t feel a profound connection to your emotions when you hear this song, check for a pulse. That flute/recorder part in the beginning? I melt. When the guitar and the harmonies come in in the second verse? RIP me. Dramatic key change? My spirit rises from the grave and floats off into outer space.
“My Heart Will Go On” is still a part of the zeitgeist 20 years later for a reason. Do you still hear “You’ll Be in My Heart” by Phil Collins on the reg? Of course you don’t. You forgot that song even existed until right now. Before you rush off to watch Tarzan, at least finish reading this, though.
How to listen: When you can give it your full attention. When you can let the calming strains wash over you like a soothing bath. This song is the essential oils of music.
Céline turns this song, intended for Roy Orbison but popularized by Cyndi Lauper, into a early ’00s deep club track, and it is blissful. Think Cher’s “Believe”.
How to listen: Request this song next time you’re out, and watch the millenials & gen X-ers distinguish themselves from the gen z-ers or whatever they’re called. Y’all weren’t born.