Shout Out Sunday

Last week was rushed and short so this will be a mega-post! Or should I say a “Mega Thee Stallion” post? A lot of cool shit is going on this week, or in some cases, has been going on for ages and my dumb ass is just discovering it! Without further ado, let’s get into it!

Image result for mandy moore when i wasn't watching
source: the atlantic
  1. Cameron Esposito wrote a beautiful piece for Modern Love, and also her book is now available for pre-order!
  2. Speaking of books I can’t wait to read, JOSH GONDELMAN’S BOOK IS OUT.
  3. I’m currently reading A Visit from the Goon Squad and just finished The Wedding Party.
  4. MANDY MOORE PUT OUT A NEW SONG. Listen to “When I Wasn’t Watching.”
  5. Also, Brittany Freaking Howard put out a solo album!
  6. I’m going to a quinceañera today and I’m wearing this dress.
  7. 100% making this bag. I already have the supplies in my Amazon cart.
  8. I started listening to the Reply Guys podcast and Julia & Kate are a joy! Everyone needs more feminist, leftist talk in their lives. I also finally started listening to Las Culturistas (I run a Bowen Yang Stan Household) and it has quickly become my favorite podcast. Also, CONGRATS to Bowen on joining the cast of SNL!
  9. Betty Gilpin on WTF with Marc Maron goes deep.
  10. I am undone by this popsicle mold. Everything should be daisies.
  11. I know this is a WEIRD one, but I’m team cottage cheese > yogurt every day. This brand is delicious and the strawberry chia is extremely my shit.
  12. Of course I started watching Derry Girls.
  13. Did you read the Lauren Duca takedown piece? Honestly a bummer. Here’s the rebuttal. Is it bad that I still want to read her book?
  14. I wanna see Hustlers.
  15. Someone PLEASE buy me this coat, for the love of god.
  16. My therapist keeps recommending meditation before bed…should I try Calm or is that too podcast-y?
  17. How did I…just…get into Megan Thee Stallion? “W.A.B” ruined me.
  18. Have I introduced you to my Twitter crush?
  19. I’m tutoring “Sir Gawain and the Green Knight” today and, honestly, when’s the last time you read a late medieval poem? Get on that.
  20. It’s Bi Visibility Day/Week/Month (depending on your source) and it’s really, really important. Here’s some reading material to get you prepped! (Also, I’ve been wearing this necklace a little bit extra lately…)

Song of the week:Never Really Over” by Katy Perry

Okay, actually this has been the song of my WHOLE SUMMER. A truly underappreciated bop!

 

And with that, I leave you, my dearest loves. Until next week!

 

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My 2019 Reading List

These are a list of books I have every intention of reading in 2019. I’m only including books that I already own, since I’m not allowed to buy media this year (that’s why libraries exist, y’all). Here’s what on the docket!

  1. Becoming by Michelle Obama. I’m listening to this one, because I want Michelle’s amazing voice to soothe all of my ills.
  2. My Squirrel Days by Ellie Kemper. I’m listening to this on Audible right now and loving it. Ellie is so sweet and super funny.
  3. All You Can Ever Know by Nicole Chung. I started this about a month ago but had to put it off until school was over so I could truly enjoy it.
  4. Not That Bad: Dispatches from Rape Culture, edited by Roxane Gay. I read most of this book in the spring but never got around to finishing it. Some of the essays can be extremely challenging to get through. The writers bare their souls.
  5. Shrill by Lindy West. Discovered Lindy way late, on Dear Prudence, and have been obsessed with her ever since.
  6. Wonderful Tonight by Pattie Boyd. Pattie has the up-close-and-personal deets about Harrison and Clapton
  7. Homegoing by Yaa Gyasi. Been meaning to read this one for ages.
  8. Crazy Rich Asians by Kevin Kwan. I started this earlier this year but it got sacrificed to the grad school gods. As soon as I’m finished I’m watching the film.
  9. Live from New York. The SNL book! Been dying to read this ever since it came out.
  10. Waiting for the Punch by Marc Maron. This is a collection of all the wisdom he gained doing his interview podcast WTF with Marc Maron. He basically invented podcasts, and he’s had some of the most incredible guests—Barack Obama say whaaaat?
  11. Bitch Doctrine by Laurie Penny. I discovered Laurie on Dear Prudence and immediately started following her on Twitter. She’s a savage, and I love her.
  12. Unladylike by Cristen Conger and Caroline Ervin. The former ladies of Stuff Mom Never Told You wrote a book!
  13. Hard Choices and What Happened by Hillary Clinton. Because of course I am.
  14. In Intimate Detail by Cora Harrington. Remember the thin privilege Twitter thread this summer? That was by Cora, who is a lingerie writer at The Lingerie Addict. I know literally nothing about lingerie, but I’m a grown-ass woman and it’s about time I did.
  15. Purple Hibiscus by Chimamanda Ngozi Adichie. Started this one years ago and never finished. I am such a distracted reader!
  16. Alias Grace by Margaret Atwood. I am a Handmaid’s Tale stan (both the book and the show), so I can’t wait to read more Atwood!
  17. Flaubert’s Parrot by Julian Barnes. JB is one of my favorite short story writers, so I’m pumped to read his novel.
  18. How to Rent a Negro by Damali Ayo. This was on the syllabus for my American Racial Satire class, but I fell behind and never got a chance to read it.
  19. Farenheit 451 by Ray Bradbury. I KNOW. It’s insane I haven’t read this already. Don’t come for me. Not every avid reader can read every damn classic.
  20. Erasure by Percival Everett. I Am Not Sidney Poitier is one of my favorite books of all time and apparently this one is even wilder.
  21. Their Eyes Were Watching God by Zora Neale Hurston. Another classic I should have already read.
  22. Every Day by David Levithan, because who doesn’t need a YA break every once in a while?
  23. Redefining Realness by Janet Mock. For obvious reasons.
  24. The Merry Spinster by Daniel Mallory Ortberg. For obvious reasons.
  25. The Measure of a Man by Sidney Poitier. Love a good biography, and I find SP so inspiring.
  26. Housekeeping by Marilynne Robinson. I’ve read at least 60% of this book like three times, but always end up not finishing it for some reason! Here’s to a better 2019.
  27. Love in the Time of Cholera by Gabriel Garcia Marquez. Same as Housekeeping.
  28. Swing Time by Zadie Smith. Bought this while I was in England. Zadie is bae.
  29. To All the Boys I’ve Loved Before by Jenny Han. Heard such good things about this one!
  30. All the Lives I Want by Alana Massey. To be fair, I’m a good chunk of the way through this one on Audible, but I do plan to finish it soon.
  31. Anna Karenina by Leo Tolstoy. This is another one I read most of in high school, but I bought it on Audible narrated by Maggie Gyllenhaal, so I plan to listen to it on my work commute.
  32. Basic Witches by Jaya Saxena and Jess Zimmerman. I am obsessed with Jaya, and who doesn’t want to read a book about summoning success, banishing drama, and raising hell?
  33. MAUS I II by Art Spiegelman. Because I was supposed to read them for class (oops!), and because I want to challenge myself to actually read a graphic novel.
  34. So Close to Being the Shit, Y’all Don’t Even Know by Retta. Audible, and Retta is my favorite.
  35. I’ll Be Gone in the Dark by Michelle McNamara. Audible. When Michelle McNamara died, Julie Klausner re-aired an interview with her and she was such a brilliant mind.
  36. This Will Only Hurt a Little by Busy Philipps. Audible. Busy is the best, from Kim Kelly to Busy Tonight.
  37. Always Look on the Bright Side of Life by Eric Idle. Monty Python is my favorite ever.

I hope to read more than this in 2019, but clearly, I have a great year of reading ahead of me!

*one-dimensional female character from a male-driven comedy*

I started this post months ago. I’m not 100% sure what my overall argument is, just that I’m a mad, mad girl. In the time elapsed, the incomparable Take My Wife has been released on iTunes and via Starz. Busy Phillips got a late-night talk show. Things are happening. But we’re still stuck. Perhaps one day I’ll finish this piece. But until then, enjoy some wine-fueled ramblings from last winter.

***

I want to preface this by saying RIP to The Mighty Quinn, the show that Jen Kirkman sold to ABC that unfortunately didn’t go to pilot. Also, RIP to NBC’s Whitney, which lasted 2 great seasons, Comedy Central’s Sarah Silverman Program, which lasted a mere 32 episodes, Hulu’s Difficult People, which was cancelled after 3 seasons despite being one of the most well-written shows of its era, and potentially, NBC’s Great News. If you’re a comedy neophyte, you may not know what these series have in common. Thematically? Nothing. Because “woman” isn’t a genre.

Unless you’ve been living in a cave for the past 50 years, you know that women have been changing the comedy game since the day they were first allowed on stage. From Moms Mabley, to Phyllis Diller, to Joan Rivers, to Carol Burnett to contemporary performers like Silverman, Kirkman, Alice Wetterlund, Phoebe Robinson, Cameron Esposito, Rhea Butcher, Naomi Ekperigin, Sam Jay (Chelsea, stop listing people you’re obsessed with, it’s thirsty af), women are and have always been a vital part of the standup scene. The Marvelous Mrs. Maisel isn’t falling on deaf ears. (P.S. Bravo to Brosnahan for such incredible delivery.)

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Male-led shows about comedy (I’m dying up here notwithstanding since I haven’t seen it) tend to be funny by virtue of the fact that they star male comedians. Watch an episode of Louie (in secret, lest anyone find out you’re supporting the Infamous Masturbator), and note the jokes. Outside of the scenes where Louis is performing standup, are there any? C.K.’s series makes a concerted effort to be #deep regarding body image and race, but it’s not funny, per se. Maron‘s final season is fucking depressing—he goes to rehab, fathers a child with whom he’s not allowed a relationship, and absconds to rural California in ruin. Crashing starts with a man-child cuckold without the slightest ability to care for himself. Women-led comedy series, however, don’t have the luxury of leaning on the fame (or notoriety) of their stars. They just have to be fucking funny. So funny, in fact, that they’re often too funny for a general audience used to pratfalls and “Bazinga!”s.

Say what you will about Fey & Carlock’s 30 Rock [insert objection to Alec Baldwin’s existence], it is one of the best pieces of television in the medium’s history. It is expertly written, by a fairly diverse staff of writers (Tracey Wigfield and Donald Glover are notable alums). The main plot of 30 Rock, at least at its inception: Liz Lemon and Jenna Maroney spearhead The Girlie Show, a women-led comedy sketch series, at NBC. Due to low ratings, a GE executive (at the time, GE owned NBC—now Comcast does) Jack Donaghy decides to add Tracy Jordan (Tracy Morgan) to the cast, due to his popularity with the 18-24 year old male demographic. Hilarity ensues.

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30 Rock, despite consistently low ratings, survived seven seasons, a milestone that many woman-run series never achieve (holla @ Gilmore Girls). 30 Rock, for a long time, filled an essential gap at the time—it portrayed a flawed woman in all of her glory, a flawed woman whom the audience is supposed to root for. It’s not perfect (Twitter hates Tina Fey because she made a couple of shitty off-hand comments about stripping over the years), but it’s of its time and essential to a contemporary audience attempting to understand the history of women in television. Bush was still President when this show was airing! God, remember him? We hated him so much, the war criminal, but we had no clue how bad it could get. Bring back Bush/Cheney if it means North Korea won’t take out my California family.

Digression aside, apart from Queen Regent Shonda Rimes, there truly are not that many female showrunners (or for that fucking matter, trans or gender-fluid TV showrunners) in the biz at the present moment, so we millennials have to give respect where it’s due.

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There is plenty of good stuff about LouieMaron, and Crashing. I don’t mean to pick on them, but two of them are goddamn named after their respective creators. Louie is one of the few shows I’ve ever seen to employ obvious race-blind casting. Maron does a good job of painting its central character as the unsympathetic “problem,” and Crashing portrays Pete’s cheating wife with a touching level of sympathy. But each of these show is bolstered by its women, who are subsequently given no recognition for their roles In Crashing, specifically, Jamie Lee has revitalized Crashing in a way I didn’t think possible. Lauren Lapkus was the undeniable highlight of season one, and Jamie Lee is stealing the show in the sophomore season. I love Pete Holmes, so I hesitate to criticize him, but his story as a layabout man-child aspiring comic is far less compelling than the journey of his woman costars.

If we’re going to see gender parity and inclusivity in comedy, we’ve got to give woman-led series a chance to breathe. A chance to grow. It’s time.